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Friday, August 31, 2012

Brown Eyed Girls’ Video “Sixth Sense” or How the Elite Controls Opposition



Brown Eyed Girls’ Video “Sixth Sense” or How the Elite Controls Opposition

Backed by big money and millions of fans, the Korean pop music industry (K-Pop) has taken over the airwaves of Asia and the world. Although groups such as Brown Eyed Girls do not sing in English, they definitely bring to the masses the same Illuminati symbolism pushed by pop stars in the Western world. The video of “Sixth Sense” is a true manifesto of the elite, describing how it controls entertainers and uses them to indoctrinate the masses. This article analyzes the meaning of the symbolism in Brown Eyed Girls’ music video “Sixth Sense”.
In last year’s article Narsha and SHINee: Illuminati Infiltration of K-Pop, I looked into the symbolism of two popular K-Pop videos and how they fit in the global Illuminati agenda. Since then, Korean pop has only gotten bigger as record labels like NegaNetwork and SM Entertainment churn out new boy and girl bands at a hectic pace. These labels are almost “pop music sweatshops” as scandals have arisen regarding the mistreatment of K-Pop stars and the signing of “slave contracts”. These labels are, in turn, owned and controlled by the same elite global media corporation who own American and British labels and pop stars. In this context, is it surprising that K-Pop videos show its stars tied down and submitting to a totalitarian power?
The video of Sixth Sense from the very popular girl band Brown Eyed Girls, could not better portray the elite’s control on media and entertainment.  More than simply displaying Illuminati symbolism, the video presents the blueprint of how popular figures can be used to communicate a specific message using sex and music as an incentive. Each one of the group’s members are shown in a different position of submission, each representing the different ways the elite controls entertainers to serve its interests. While Myrio, Narsha, Ga-In and Jea appear to be rebelling against an authoritative police state, they are, at the end of the day, controlled opposition, serving in the elite’s Hegelian dialectic. Yes, all of these complex concepts are found in a K-Pop video intended for children and teenagers. Are they being warned or indoctrinated by the message of the video? Let’s look at the symbolism of the video and the messages it communicates to the viewers.

The Premise of Sixth Sense

The video takes place in the context of a totalitarian police state, where media is tightly controlled and people are tightly monitored.
The video begins showing police in riot gear and video cameras, setting it in a Big-Brotherish police state.
The regime is controlled by a masked figured named “the Absolute” (according to an interview with the lyricist of the group), who could easily be associated with the “masked” occult elite.
The Absolute looking over its army of riot police. Yet another music video getting young people used to the idea of an oppressive police state.
There appears to be some resistance to the Absolute’s regime, namely Brown Eyed Girls. They are shown standing in defiance of the riot police and appear to be taking a stance against the oppression of the Absolute. As an ultimate gesture of defiance, the group starts singing. Do they sing about freedom and liberation? Are they singing out what is on everyone’s mind? No, not really. The listeners are treated to the same pseudo-sexual drivel all pop songs numbs our brains with. Here’s a translation of the first verse:
Your thirsty face starts sweating
And your flesh is on the tip of my sharp fingers
The bubble in champagne
Explodes, good pain
No need to worry, love is just a game
What does this have to do with resistance? Not much. In fact, the song is about the exact opposite: Not resisting but giving in to the “Sixth Sense”. Are B.E.G. truly in opposition to the riot police or are they in fact on their side? The six-pointed star on the police uniforms represent the “Sixth Sense” so it would seem both sides are about the same thing.
The riot police wears a star with its lowest point red, symbolizing the sixth sense. In occult symbolism, upside down triangles represents the vulva, the feminine energy and reproduction.
What exactly is the “Sixth Sense”? Judging by the lyrics of the song and the symbolism of the video, it is sexual energy – the most basic and primal of human instincts. It is the easiest way to capture and keep the attention of an audience and is used ad-nauseam in pop music to generate interest in otherwise insipid songs. Pretty girls can make things such as a fascist police-state cool. On an esoteric level, reproductive organs are part of the base chakra, which can explain why it is associated in the video with the lowest point of the sixth-pointed star. While the five other senses send information to the brain to be processed and analyzed, the carnal impulse in humans bypasses all of that and directly taps into our primal urges. For this reason, sexuality can be (successfully) used to sell anything, including music videos.
At the start of the song, Ga-In immediately points towards her "upside down triangle", singing "Touch Touch". I guess that's all there need to be known about the Sixth Sense.
B.E.G. is therefore singing about how great the Sixth Sense is, in front of riot police wearing a symbol representing the Sixth Sense. Are they really on the same side? It is still early to say, however the video goes on to show the backstory of each of the group’s members. In the video’s narrative, they each have been used by the Absolute in a different way, each of them representing a facet of Illuminati control in the entertainment business.

Facets of Illuminati Control

During the video, each member of B.E.G. is shown in a different setting, yet in a similar situation: They are all controlled and monitored by the Absolute and forced to play a role in the advancement of its Agenda. The character played by each member represents a facet of Illuminati control in the entertainment business.
Miryo, the rapper of the group as the "messenger".
Miryo is shown standing in front of the luxurious palace of the Absolute. She is therefore “owned” by him and speaks for him (the double “S” on the palace stands for Sixth Sense). Miryo appears to be strong and confident but, upon closer look, we realized that she is actually tied down. She is forced to speak into microphones (representing the media) to transmit the message of the Absolute. This image represents the fact that artists are used as mouthpieces by the elite, who utilize their popularity and charisma to deliver messages. When Miryo signed that record contract to become a professional singer, she indeed became the property of the elite.
Narsha representing mind control and Kitten Programming.
Narsha’s character is very animalistic, sensually crawling around on four legs like a cat. She is wearing leopard-print shorts, which, as readers of this site know, represents Kitten/beta programming in mind control symbolism (see the article entitled Origins and Techniques of Monarch Mind Control for more information regarding Mind Control). She is also surrounded by animal cages, which represent the dehumanization and captivity of mind control slaves at the hands of their handlers. Actual MK slaves are said to be often held in animal cages to cause trauma. Despite her forced state, Narsha appears to enjoy being watched, which is how Beta Kittens are programmed to act.
Narsha is shown in juxtaposition with a cat walking around the elite's palace, furthering the association with Kitten programming.
In an interview, the lyricist of the group Kim Eana explains Narsha’s role:
“Narsha represents the ‘sixth sense’ in itself, and embodies the animalistic lyrics in the song (such as “The tips of my sharp nails become embedded into your skin”). Since there is a recurring ‘jungle cat’ theme, Narsha was directed to act as wildly as possibly for the video. The lights inside the cages are flashlights, a symbol of constantly being watched and observed.  What’s interesting about her character is that although she looks afraid of it, she also seems to enjoy being observed.”
Jea, representing sacrifice.
At first glance, the scene featuring Jea appears to be somewhat poetic, with her floating in water and whatnot. On closer look, we realize that she is tied up to the piece of wood and is left there to die, in a matter vaguely similar to Christ tied up to the cross. We also realize that this is taking place in the pool of the elite’s palace. In other words, they placed her there to sacrifice her.
Jea therefore represents the ritual sacrifices of the occult elite. More than being simple employees, public figures that are part of the Illuminati industry sometimes become unwilling parts of Illuminati rituals. The lyricist of the group confirms that
“Jea represents the image of sacrifice. She’s tied to tree branches, an idea derived from religion.  Although the scene looks beautiful from afar, the viewer is able to see that Jea is being pressed down and chained.”
- Kim Eana
Ga-in, the traitor.
Ga-In’s character appears to have been beaten and humiliated by the Absolute’s regime as a result of being a traitor. She is now tied to a chair, between Masonic pillars and is being filmed by a camera. She is the “example”, showing to others what happens to those who attempt to go against the Absolute.

The Uprising

At one point, all of this singing and dancing apparently gets everyone riled up and ready to start a revolution. The members of B.E.G., who were shown above to be restrained and monitored, become aggressive and rebellious (although they never truly free themselves). The riot police feeds from this energy and become rebellious too. They are shown questioning themselves as they remove their helmets to reveal their faces. These soldiers are not simple pawns, they are young men with emotions and stuff. They turn against their ruler and rush towards him as water cannons protect the palace.
At that point, the mask of the Absolute is shown thrown on the ground.
The golden mask, representing the hidden, faceless elite is shown on the ground, leading the viewers to think that the revolt was a success.
The scene then reverts to reality and shows again the riot police about to rush B.E.G.
There is no uprising. The riot police is right where is was.
The rebellion incited by the girls was one big fantasy dreamt up by B.E.G. and the army. They are now back to the cold, hard reality: You cannot fight the Absolute.

Meaning of the Video

Under the guise of entertainment, the video of Sixth Sense gives its viewers a rather harsh lesson in power and politics. A basic analysis of the story, answering simple questions such as “who won the battle?” and “what’s the moral of the story?”, reveals that the elite won and that resistance is useless. In fact, there never was any actual resistance as B.E.G. were manipulated by the Absolute all along. The uprising was nothing but a mere illusion, proving to the viewers that they can be lead to believe anything they see.
Presented as heroes of the people, B.E.G. is shown to be inciting a riot and being agents of liberation. The only thing they however truly accomplished is a mere distraction, a temporary escape to a world filled with brave and determined people, ready to fight for freedom. This is what mass media accomplishes on a daily basis: Putting in the spotlight artists who are, in appearance, rebellious and uncompromising, yet following their messages is exactly what the elite wants the masses to do. In communication-theory terms, the viewers are subjected to a Hegelian dialectic, where a thesis and anti-thesis are proposed, but engaging in either one of them ultimately advances the agenda of the elite. In other words, it is one big circular mind-screw. Here’s a little description of how it works:
“For the elite of his day, and for the monetary elite today, the Hegelian dialectic provides tools for the manipulation of society.
To move the public from point A to point B, one need only find a spokesperson for a certain argument and position him or her as an authority. That person represents Goalpost One. Another spokesperson is positioned on the other side of the argument, to represent Goalpost Two.
Argument A and B can then be used to manipulate a given social discussion. If one wishes, for instance, to promote Idea C, one merely needs to promote the arguments of Goalpost One (that tend to promote Idea C) more effectively than the arguments of Goalpost Two. This forces a slippage of Goalpost Two’s position. Thus both Goalpost One and Goalpost Two advance downfield toward Idea C. Eventually, Goalpost Two occupies Goalpost One’s original position. The “anti-C” argument now occupies the pro-C position. In this manner whole social conversations are shifted from, say, a debate over market freedom vs. socialism to a debate about the degree of socialism that is desirable.
The Hegelian dialectic is a powerful technique for influencing the conversations of cultures and nations, especially if one already controls (owns) much of the important media in which the arguments take place. One can then, as the monetary elite characteristically do, emphasize one argument at the expense of the other, effectively shifting the positions of Goalposts One and Two.”
- Daily Bell, Hegelian Dialectic
Pop stars often play the role of “Goalpost Two” in entertainment videos, but the blatant symbolism of these videos show that they are truly working for the hidden rulers.
The final scene from Beyonce's "Run the World (Girls)", saluting the riot police. While, at first, Beyonce appears to be leading a resistance or a liberation movement, this final scene tells the viewers that, regardless what they just saw, she still obeys the orders of the powers that be. Like Sixth Sense, this video also emphasizes the power of sexuality to control the masses with lyrics such as "My persuasion can build a nation/ Endless power, the love we can devour/ You'll do anything for me."
Although the four members of B.E.G. were shown to be somewhat rebellious, the core of their message was, at the end, exactly what the elite wanted to communicate. The concept of Sixth Sense appeals to the shutting down of intellectual and cognitive functions to “surrender” to the mesmerizing effect of lust in mass media. It is during this somewhat hypnotized and slightly aroused state that messages can effectively reach the viewer’s brains with maximum effectiveness.

In Conclusion

By analyzing the political message of Sixth Sense, one forgets that this video is primarily aimed at children and teenagers. While listening to the music and admiring their idols’ dancing, the viewers are exposed to a powerful lesson that sticks in the subconscious mind: Resistance is futile. Even worse, resistance does not even exist as those who appear to be resisting are just leading you towards the elite’s goal. These kinds of propaganda videos existed under dictatorships, but today they are passed around as “entertainment”. They get massive airplay on MTV and millions of hits on YouTube. In reality, nobody is forced to watch these videos, but they are nevertheless quite popular. Is there a reason why people willingly subject themselves to this kind of elite propaganda? Yes. These videos appeal to their Sixth Sense … and people like that.

The Movie “Videodrome” and The Horror of Mass Media


The Movie “Videodrome” and The Horror of Mass Media


“Videodrome” is an 80′s science fiction horror film that contains some gore, James Woods and Betamax videotapes. Above all, the movie communicates a strong message on the perversity of mass media, its dangers to the human psyche and how it is used to manipulate the masses. This article will look at the meaning of the movie “Videodrome” and how it reveals the shadier aspects of mass media.
Warning: This article contains spoilers and disturbing subject matters.
Videodrome is a dark Canadian movie about a sleazy CEO of a small cable TV station and his discovery of a broadcast signal featuring live torture and murder. As fascination turns into obsession, then into physical illness, the movie symbolically describes, in a very extreme and graphic way, the impact of mass media perversity on the human psyche, as well as the dark forces behind it.
The movie’s odd mix of gore, taboo subject matters and social commentary make it an original, but disturbing film to watch. I am glad I did not watch the movie as a child because I’d probably have gotten nightmares for days. Thirty years later, though Videodrome‘s horror special effects appear quite corny and laughable, one thing is for sure: Its message hasn’t aged a bit. In fact, the metaphorical meaning behind the twisted scenes in the movie is as real, relevant and shocking as it ever was, which probably explains why it became somewhat of a cult classic.
Videodrome was produced in 1983 but one can argue that it was decades ahead of its time. It successfully predicted the growing control of mass media by shady forces, the coming of reality television and the propagation, through various mediums such as the Internet, of all kinds of extreme underground films.
While many perceive the movie as a criticism of the effect of mass media, some claim that it is nothing less than a manifesto from the elite to reveal the way it functions.
“This writer submits that part of the ongoing “Revelation of the Method”, the cryptocracy recently issued a kind of Rosicrucian manifesto, revealing precisely what television is doing to us and what the future of the video imperium they are planning for us will be like. The name of this manifesto is Videodrome, directed by the Canadian David Cronberg whose other works include two films about psychic assassins, Scanners which features the Kennedy-sigil exploding head and the Dead Zone”.
- Michael A. Hoffman, Secret Societies and Psychological Warfare
Let’s look at the movie’s plot and how it relates in the context of today.

Discovering the Videodrome

Max Renn is the president of CIVIC-TV, one of those sleazy television stations that specialize in low-grade programming such as soft “adult” shows and low grade violent movies. He is convinced that the public is hungry for more extreme TV experiences and that his network must bring this to its viewers.

During a TV interview, Max Renn argues that TV acts as a catharsis, meaning that it is a healthy outlet for our violent and sexual needs. He soon discovers first hand that his theory is completely false.
Renn is actively looking for something new and exciting to propose to his viewers. To do so, he has a secret contact: A TV pirate named Harlan who can intercept satellite signals from across the world. The pirate shows him a television show that will change his life.

Harlan shows Renn a television signal broadcasting nothing but ultra-realistic torture, abuse and murder performed by masked individuals. Renn believes that it is all staged and that it is exactly the kind of programming his network needs.
Renn discovers later in the movie that nothing in Videodrome is staged and that it is, in fact, snuff TV, which is real live footage of violent acts.
In the “real world”, the concept of snuff videos is taboo and controversial. However, some researchers have exposed the existence of underground networks distributing snuff videos in elite organizations. Everything from blood rituals to abuse involving mind-controlled slaves and minors is distributed and consumed by high-placed circles operating above the law. Also, high-profile crimes that bear a ritualistic aspect are sometimes recorded and sold at high price.
“Some of the Son of Sam murders were videotaped by cult-members and copies command high prices in cash, drugs and other commodities on the underground snuff-film circuit.”
- Michael A. Hoffman, Secret Societies and Psychological Warfare
The masses are introduced and desensitized to the occult elite’s taste for the violent and perverse through mass media.
“None of this ought to be too shocking to any American TV watcher since a version of this process can be seen in those glimpses of actual murders and other horrors we are shown on broadcast TV, on the “news” and in “specials”, right in the “Videodrome”. Simulated snuff-videos are already available at many of our cheery neighbourhood video-rental stores. Cable and network television broadcast the highest grade of brutalizing voyeurism.”
- Ibid.
In the movie, Max Renn is somewhat representative of the masses. Even though he knows that Videodrome is not the most engrossing show on TV, he still irresistibly attracted to its graphic material. Fascination with blood and lust is a primal and instinctive reflex and has been used as a tool to capture attention and to control since ancient times (see Circus and Gladiatorial Games in the Roman Empire). Furthermore, when no moral objections are involved, some are willing to be exposed to truly evil and twisted deeds to satisfy a craving that often turns into an obsession.
In the movie, Nicki, the woman Max is dating, gets sexually aroused by the violence in Videodrome. Completely submitting to the call of their lowest impulses, the couple gets “busy” while watching some guy getting tortured. While blood and lust are primal instincts that are meant to insure survival, we see here that they’ve been twisted and distorted by mass media to manipulate weaker minds.
Watching Videodrome quickly produces negative effects on Renn. His interest for the show quickly turns into an obsession. The tape he uses for entertainment soon begins to consume him.

Max’s obsession for Videodrome causes a blurring between reality and fiction. Here, TV takes life and literally calls him.
Max begins to experience intense hallucinations. He doesn’t see a difference between television and reality. He soon realizes that Videodrome is not just “entertainment”.
More Than a TV Show
While researching the origin of Videodrome in order to broadcast it on his TV station, Renn learns that it is much more than a TV show. One his friends tells him that the action on Videodrome is not staged and that those behind it are powerful and dangerous. While the show simply appears to be about violence, there is much more behind it. Max’s friend tells him:
“It has something that you don’t have, Max. It has a philosophy. And that’s what makes it dangerous”.
This concept is very true in mass media. While most people do not live according to a specific philosophy and do not put a lot of thought about what they watch on TV, those in power and those controlling the airwaves are often motivated by strong philosophical and political motives. This results in the communication of propaganda to people who do not even realize they are watching propaganda.
The man behind Videodrome is Professor Max Oblivion, who only communicates through TV screens.

“The battle for the mind of North America will be fought in the video arena. The Videodrome. The television screen is the retina of the mind’s eye. Therefore, the television screen is part of the physical structure of the brain. Therefore, whatever appears on the television screen emerges as raw experience for those watching. Therefore, television is reality. And reality is less than television.”
Oblivion is an idealist convinced that technology, particularly television, would help lead humanity to a better tomorrow. He runs “Cathode Ray Mission”, a homeless shelter that provides a “healthy dose” television to those who cannot afford it.

Oblivion’s office is full of items relating to religion and philosophy. He believes that mass media can bring near-spiritual salvation and promise eternal life through television.
As it is the case in the real world, Professor Oblivion’s altruistic dream got taken over by people who mean business. He is killed by a shady yet powerful organization that wants to use Videodrome to control and manipulate the masses. And Max soon discovers who they are.

The organization runs behind a front company named Spectacular Optical. The eye logo and the ominous slogan “Keeping an eye on the world” is rather Illuminati-ish.
When Renn meets to head of Spectacular Optical, he is shown an introductory video that describes the organization an “enthusiastic global corporate citizen that makes inexpensive glasses for the Third World and missile guidance systems for NATO”. In other words, it is the type of mega-corporation that would be part of our world’s global elite. Spectacular Optical also makes Videodrome.
The head of Spectacular Optical, Barry Convex, tells Max that Videodrome is extreme because exposure to violence affects the nervous system and “opens receptors in the brains and the spine which allow the Videodrome signal to sink in” – and mess with people’s minds. One can wonder if there is some factual basis behind this theory: Do sex and violence create a primal response in our bodies that makes us more receptive to other messages and signals? Even if there were serious studies on the subject, I doubt they would be divulged to the public.
Max then learns that he was purposely deceived into watching Videodrome because Spectacular Optical needs to take over his TV station to broadcast its signal to the masses. To do so, Max will be used as a mind-controlled patsy to kill his partners and hand over Channel 83 to Spectacular Optical.

When the Program Programs You

Although Max realizes that weird stuff is going on, his exposure to Videodrome has rendered him utterly powerless and at the mercy of those broadcasting the signal. The movie illustrates in a rather graphic matter how individuals can easily be brainwashed and controlled by mass media.

The head of Spectacular Optimal literally jams inside Max a tape in order to program his mind and control his actions. This is a rather graphic way of representing how the elite-controlled mass media programs its viewers, figuratively inserting a tape into people to get its Agenda and messages accepted.
Controlled by the tape, Renn enters the office of his TV station and takes out his partners. He is then told to go take care of Bianca Oblivion, the daughter of Professor Oblivion. There, he is stopped short and Bianca uses a TV screen to “deprogram” him. He is however quickly reprogrammed to kill the head of Spectacular Optical, Barry Convex. Max has become a blank slate that can be programmed and re-programmed at will.

Bianca’s TV points back at Max the gun he is holding. Media therefore became a reflection of him and him, a reflection of media. The TV then shoots Max which allows him to be free from the Videodrome tape and to be “reborn” in an almost religious way. Max’s new mantra: “Death to Videodrome, Long Live the New Flesh”.
Max then goes to take care of Barry Convex, who is in an optical trade show for reading glasses and such. The theme of the show is de Medici, Florence’s prominent political dynasty, banking family and royal house of the 14th century. This choice of theme is rather interesting considering the fact that Spectacular Optical can easily be related to the occult elite we call the Illuminati.
The de Medici family can be seen as a prototype of today’s Illuminati bloodlines, as it had a stronghold on the monetary, cultural and even religious affairs of their subjects (the family produced four popes). From an occult point of view, de Medici’s translated classical works on Mystery teachings (such as the Corpus Hermeticum) are often credited for having revived hermeticsm, the Kabbalah and Gnosticism in Europe – all basic teachings of today’s secret societies. The theme of the trade show can therefore further associate Spectacular Optical with the occult elite.

The stage of the trade show contains two quotes: “The eye is the window to the soul” and “Love comes in at the eye”. Considering the fact that this organization controls people by making them watch acts of cruelty, these sayings conceal a disturbing meaning. Then again, doublespeak is a specialty of the elite.
When Renn shoots Convex, we find out that he’s some kind of alien or monster, which is somewhat reminiscent of the movie They Live (read my article about They Live here).

Dazed and Confused

After carrying out his murderous mission, Renn hides in an abandoned place. He once again finds himself in front of a TV that directly talks to him. It tells him that “death is not the end” and that it can “help him”. Is it proposing eternal life through appearing on television? Max then tells the TV what many people unconsciously feel.
“I don’t know where I am now. I am having trouble finding my way around.”
His exposure to Videodrome (mass media) has caused him to lose his thoughts and even his free will. The TV, which uses the image of Nicki to seduce him and attract his attention, replies:
“Videodrome still exists. Its very big, very complex. You’ve hurt them, but you haven’t destroyed them. To do that, you’d have to go on to the next phase.”
The TV then tells him that he needs to go “all the way” and become the New Flesh. To do that, he has to kill himself. We see here how mass media can be a manipulative force, using seduction and rhetoric to influence behavior, even if it involves shooting oneself in the head. Then, the TV says: “Here, I’ll show you”.

The TV shows Max how to shoot himself.
Right after, Max imitates what he saw on television, says  “Long live the New Flesh” and shoots himself in the head … and the movie ends on that unsettling note.
Did Max truly “complete his transformation” and become New Flesh? Probably not. Like most of what is said on television, all of this New Flesh story was most likely a bunch of BS used to manipulate his confused mind and to push him towards suicide. By shooting Convex, Max became an enemy of Videodrome and, like most mind-controlled patsies, he was pushed into a “self-destruct mode” once he stopped being useful to the organization.
On a larger scale, the ending of the movie communicates a strong statement about the influence of mass media on the world. Does it directly influence people’s thoughts and actions, even if it goes against their best interests? This movie says yes.

In Conclusion

While the premise of Videodrome is over-the-top science fiction, its underlying message rings even truer today than it did in 1983 when it was released. With the advent of new technologies such as the Internet and mobile devices, we are today, more than ever, surrounded by the signals of the real-world Videodrome that is mass media. Its images and message can now reach us in a variety of ways, following us anywhere we go. While not as in-your-face and extreme as the movie’s Videodrome, today’s mass media still tap into these two primal urges humans that are difficult for human to ignore: blood-lust and reproduction. These two instincts were encoded in our DNA for the survival of individuals and the propagation of the species, but they are now “soft spots” that can easily be triggered with specific stimuli, causing an immediate and powerful reactions. As people get desensitized to sexual and violent imagery, mass media constantly pushes the envelope to bring new, distorted and twisted ways to capture their viewer’s attention. While the showing of a woman’s ankle caused quite a stir a few decades ago, today Internet users keep demanding for more extreme footage to get excited. As Max says in the movie: “They need something rough”. How long will it take until all-out snuff movies become acceptable for mass consumption? Some say that we are already being introduced to the Illuminati twisted underground world as a lot of snuff is actually already in mass media and we don’t even realize it.
However, as the movie states, blood and lust are not the ultimate end, but merely a vehicle to communicate the most important aspect of it all: the Agenda. This is what it is all about. It is about materialism, superficiality, the sexualization of anything, the destruction of family values and much more. All of the articles on Vigilant Citizen show that behind the bells, the whistles, the sexiness and the eye candy, a message is being communicated – one that goes with the best interests of the elite. Watching Lady Gaga in a music video wearing a bikini and whipping some guy (which oddly resembles a scene in Videodrome) is a good attention-grabber but, as we’ve seen in many articles, there are many messages that also being communicated. The Videodrome signal that causes everything from hallucinations and brain tumors is the constant conditioning that is exerted by mass media to force the world accept a specific world vision – which is a fake as a hallucination.
In the Illuminati’s Videodrome, the masses are constantly exposed to the values that need to be accepted, the mindset that needs to be adopted and the symbolism that needs to be embraced. From mega-rituals disguised as current events to propaganda disguised as entertainment, TV viewers find themselves like Max Renn, with tapes inserted right in their belly. Don’t want your mind to end up like Max’s? Remove that tape, throw it in the garbage and think for yourself.

The Esoteric Symbolism of the Viral Video “I, Pet Goat II”


The Esoteric Symbolism of the Viral Video “I, Pet Goat II”

“I, Pet Goat II” is a computer animated video that is loaded with silent messages and esoteric symbolism. While the movie has no dialogue, each symbol tells a piece of a story that covers the fields of history, politics, occult conspiracies and spirituality. We’ll look at the esoteric meaning behind the viral sensation “I, Pet Goat II”.
Produced by the Canadian production crew Heliofant, I, Pet Goat II is a short animated movie that quickly went viral across the internet. Praised for its visual feats and its interesting imagery, the video however left many puzzled about the meaning of its symbolism. Politics, conspiracies and false flag operations are mixed with esoteric spirituality and occult symbolism in one big mesmerizing mind bender. Here’s the video.
After watching the video, many might say something like “What the hell did I just watch?”. The story is somewhat non-linear and there are many cryptic and enigmatic elements in the movie. I won’t claim to fully decode every single symbol-filled frame of the video, but many of the messages are easily understandable due to rather heavy-handed symbolism.
In general, the movie appears to be about the political and social climate of the past decade – complete with puppet Presidents, false flag terror and mind-controlling sorcerers. Then, through the following of a Christ figure, we leave all the sadness behind to enter a new, sunny era. In short, the story is about the triumph of spiritual enlightenment against the forces of darkness. Let’s look at the movie and at some of its many details.

I, Pet Goat II

The opening scene is already replete with symbolism.
The video begins with an interesting scene: A goat inside a box in what appears to be some sort of detention (FEMA) camp. The goat has a bar-code on its head with the numbers 6 6 6 underneath it. IfI, Pet Goat is about liberation from the forces of darkness, this first scene seems to depict the exact opposite. Does this goat represent those who have been “boxed in”, bar-coded and brainwashed by the corrupt system? The usage of the pronoun “I” in the title implies that the goat might be, in fact, the viewer himself.

The Puppet Show that is Politics

In the first part of the video, a hidden puppet master controls George “Dubya” Bush inside a classroom. When the planes struck the Word Trade Center in September 2001, Bush was inside a classroom reading the book My Pet Goat to children. The Masonic checkerboard floor of the classroom might signify that this whole charade had a ritualistic component to it.
Bush tap-dances, makes scary faces and says random stuff to keep the masses clueless about the truth.
Above Bush is an interesting graphic depicting the evolution of mankind from fish, to monkey, to man holding a weapon. What is the final stage of evolution? The illuminated man, represented by a sunburst around its head.
Bush wears a dunce cap, this conical hat that was given to “slower” students to humiliate them. When Bush is done making a fool out of himself, he turns into Obama, a charming and distinguished man wearing a graduation cap. He starts off nice and lovable, but he ultimately begins to laugh at the audience. While he appeared to be the perfect response to the idiocy of Bush’s era, the fact remains: He is simply another puppet controlled by the same puppet master.
While most of the audience is totally oblivious to what is happening, one girl is not buying it.
While the masses appear to be deaf, dumb and blind (and restrained by barb wire), this little girl realizes that “this apple is not hers and drops it”. Obama is concerned by the awakening of this girl.
We are then taken to the cold and snowy outside world around the school. On a wall, there’s a graffiti with an important message behind it.
On the school wall is a graffiti saying “Psalm 23″.
The Biblical verse that is referred to by the graffiti appears to foretell the journey viewers are about to embark on.
The Lord is my shepherd, I lack nothing. He makes me lie down in green pastures, he leads me beside quiet waters, he refreshes my soul. He guides me along the right paths for his name’s sake. Even though I walk through the valley of the shadow of death I will fear no evil, for you are with me; your rod and your staff, they comfort me. You prepare a table before me in the presence of my enemies. You anoint my head with oil; my cup overflows. Surely your goodness and love will follow me all the days of my life, and I will dwell in the house of the Lord forever.
- Psalm 23, NIV

A World in Decay

The outside world is dark, cold and literally in decay. It is sad, corrupt and everything is shaking and crumbling down.
At one point, two towers – reminiscent of the WTC – fall down. We then learn that it was an inside job.
Bin Laden is wearing a CIA badge, hinting to the fact that he was a tool used by the American government to advance its agenda. The moon crescent, a symbol associated with Islam, is reversed, which is may be a way of saying that all this Al-Qaeda stuff is a perversion and an exploitation of Islam.
While oil leaks from everywhere, a six pointed star appears under the Statue of Liberty, renamed by the makers of the movie “Lady of Helotry” (“helotry” means serfdom or slavery).
Is the six-pointed star (also know as the Star of David) appearing under the Lady of Helotry a way of saying that the US is highly influenced by Israel?
While the world is crumbling down, many ancient institutions disappear or get destroyed.
This Mosque is destroyed by fighter jets.
This Latino worker is sinking, along with his hammer and sickle – representing the disappearance of Marxism in third world countries. On Heliofant’s official site it is said: “After years of economic exploitation and the environmental degradation, Juan “Pepito” has a decidedly sinking feeling.”

Controlling the Masses

The world is under the spell of an evil sorcerer named Drako. According to the makers of  the movie, Drako is:
“The Sorcerer, the unseen hand and spirit of madness seeking ever more control through trickery, lies, poisons, false-flag events, wars, and mountains of bureaucratic and legal framework to siphon off the energy of the inhabitants of the earth. He fears the light of day as he fears life itself, and operates in the shadows. His greatest power is his hold on the issuance of the currency.”
Does this sound like what we call the Illuminati? Yes, yes it does.
The same way the Illuminati seeks to brainwash children since birth, Drako preys on this unborn child named Ludovic.
Drako’s reptilian eye awaits the birth of Ludovic.
In esoteric tradition, the symbol of the serpent-entwined egg is known as the Orphic Egg. In short, it represents the latent seed of life and the infinite potential of creation. In other words, while this child appears to be hopeless, he still has the power to reach his full potential.
When the egg is hatched and the child is born, Drako literally takes control of his mind in a creepy, parasitic way.
Drako has the pyramid and all-seeing eye found on the US dollar bill on his chin. Not only does it represent the fact that he controls currency, it also represents the Illuminati. Underneath Drako’s eyes is the saying “Ordo Ab Chao” – meaning Order Out of Chaos, the occult elite’s favorite slogan. Also, the dude has only one eye open. Could he, like, more represent the Illuminati?



The Liberator

Amid all this chaos, a figure emerges with the power to make everything right.
Navigating on an Egyptian ceremonial boat, Jesus Christ appears to be in trance.
The Christ-like figure has a third eye painted right on the pineal gland, which refers to the concept of spiritual illumination. The triangle above the eye represents divinity and that illumination leads to the contact with one’s own divine nature. The symbols on the Christ’s forehead are in complete opposition to pyramid on Drako’s chin. While both figures bear similar symbols on their faces, Christ has them “right” and Drako has them in reverse/inverted, meaning that he (and the Illuminati) have corrupted these ancient symbols.
Named by the makers of the video “The Fire of Truth”, the Christ figure is not meant to be Jesus Christ himself, but a representation of the concept of Inner Christ as defined by Gnosticism. According to this esoteric current of Christianity, the Inner Christ is the potential found in everyone to reach godhood through spiritual illumination. On Heliofant’s website, The Fire of Truth is described as:
“That’s YOU!!! when you stand in the awareness of your sonship with the Divine and the brotherhood of mankind!!! “
When the Christ figure breathes the Fire of Truth on the world, some oppressed or distressed characters come back to life, like Ludovic, the child inside the egg. Also, Aali, a little Muslim boy that appeared battered and dead rises back to life.
Little Aali rises up from the crumbles of the destroyed Mosque, twirling in traditional Dervish attire.
The boy is executing the ancient art of Sufi whirling, which is practiced by the Sufi Dervishes of the Mevlevi order. The Dervishes are an ancient esoteric current of Islam.
“The mysteries of the Islamic faith are now in the keeping of the dervishes – men who, renouncing worldliness, have withstood the test of a thousand and one days of temptation. Jelal-ud-din, the great Persian Sufic poet and philosopher, is accredited with having founded the Order of Mevlevi, or the “dancing dervishes,” whose movements exoterically signify the motions of the celestial bodies and esoterically result in the establishment of a rhythm which stimulates the centers of spiritual consciousness within the dancer’s body.”
- Manly P. Hall, The Secret Teachings of All Ages
Whirling Dervishes
The rebirth of the Muslim boy as a Whirling Dervish signals that there is a link between him and the Inner Christ: Both represent initiation into esoteric schools, which all have a common goal – the contact with divinity through spiritual illumination. Other religions with esoteric undercurrents such as Hinduism (represented by a dancing Shiva), are also represented in the movie. Is the Christ figure maybe the Anti-Christ deceiving all religions into following him? Perhaps.
When the Christ figure exits the Cathedral, the building (which was guarded by an evil-looking gargoyle) crumbles behind him.
In this new era of spiritual enlightenment, elaborate man-made buildings become unnecessary and outdated. They therefore crumble and disappear.
As night turns into day, the Christ figure opens his fiery eyes and navigates towards the sunlight. Lotus flowers, symbols of spiritual enlightenment in Eastern philosophy, appear behind him, confirming to the viewers that the path to freedom is indeed a spiritual one.

In Conclusion

I, Pet Goat II has received widespread acclaim for its technical prowess and its original storytelling. Although there is no narration or dialogue, an elaborate story is delivered using the most ancient and universal language in History: Symbolism. Through symbols, the movie manages to deliver an acerbic critique of today’s Western Civilization, to describe its numerous evils and even to predict its inevitable downfall. More importantly, a thorough decoding of the movie’s symbolism reveals a powerful message of spiritual enlightenment based on ancient Mysteries. While this esoteric aspect of the movie might not be understood by many, it is at the core of the movie and is presented as the ultimate solution to the evils and corruption of today’s world. The movie’s conclusion is therefore a very personal one: Either YOU become a pet goat with a 666 bar-code on your forehead or YOU become a Christ figure with a third eye on your forehead. This notion of personal enlightenment is definitively a Gnostic one and is common to most esoteric schools of thoughts in all civilizations.
Agreeing or disagreeing with the movie’s spiritual conclusion is a question of personal beliefs, but it is nevertheless obvious that those behind I, Pet Goat II are “in the know” about all things occult, esoteric and even conspiratorial. Each scene has a profound underlying story behind it – whether it be historical, political or spiritual – that would take pages and pages of words to thoroughly explain. Therein lie the power of symbols: They can simply be admired for their aesthetic beauty or they can, when fully understood, reveal a profound story about humanity, God and everything in between.