Sinister Site : Israel Supreme Court

Sinister Sites – Israel Supreme Court

The Israel Supreme Court is the creation of one elite family: the Rothschilds. In their negotiations with Israel, they’ve agreed to donate the building under three conditions: the Rothschilds were to choose the plot of land, they would use their own architect and no one would ever know the price of its construction. The reasons for those conditions are quite evident: the Supreme Court building is a Temple of Masonic Mystery Religion and is built by the elite, for the elite. 



Built in 1992, the Israel Supreme Court sits in Jerusalem, in front of the Knesset (Israeli legislature). Its peculiar architecture has earned critical praise due to the architects’ opposition of old versus new, light versus shadow and straight lines versus curves. Almost all  critics and  journalists have however omitted to mention the blatant occult symbols present all over the building. Masonic and Illuminati principles are physically embodied in numerous instances, proving without a doubt who runs the show in there.

House of the Rothschilds

The Rothschild family is an international dynasty of Germans of jewish descent who established a worldwide banking and finance operation. The offspring of Mayer Amschel Rothschild (1744-1812) have spread all over Europe and became major actors in the social, political and economic life of the continent. By knitting close ties with the elite of England, Austria, France and Italy, the Rothschilds became a hidden force in most political events of the last centuries. Alternative historians say they are part of the infamous 13 bloodlines of the Illuminati, along with the Rockefellers and the Duponts.
The Rothschilds are one of the originators of the Zionist movement and the most active actors in the creation of the state of Israel. James A. de Rothschild financed the Knesset, Israel’s main political building. Right in front of it sits the Israeli Supreme Court, donated by another member of the dynasty: Dorothy de Rothschild.

Painting at the entrance of the Supreme Court – The Rothschilds with Shimon Perez and Isaac Rabin

In the same general area of Jerusalem we can therefore find the Knesset and the Supreme Court, built by the Rothschilds and, following a perpendicular layline, several blocks away, sits the Rockefeller Museum (other elite family). You might start to understand who owns this area now.
Jerry Golden wrote several years ago on the Israeli Supreme Court, appropriately pointing out its occult concepts. When you study those types of buildings, you quickly realize that the same themes inevitably reappear: illumination, pyramid, ascent, the number 13 or 33 , phallic/yonic symbols, etc. This building has it all and more.

Path to Illumination

A journey through the Supreme Court is in fact a symbolic course towards Illumination. The ultimate “goal” of the journey is to reach the top of the pyramid which is located on the roof of Supreme Court, atop of an area where the “holy of holies” would be in a Jewish Temple.
On each side of the pyramid’s apex is a hole representing the “All-Seeing Eye” of the masonic Great Architect (see the reverse of the Great Seal of the United States).

Pyramid with All-Seeing Eye

Let’s go through the path of the “profane” to reach illumination.

Darkness to Light Stairway

One who enters the Supreme Court finds himself in a dark area, in front of a stairway leading to a source of light.



By climbing those stairs,  the visitor gradually leaves the depths of darkness to finally reach glorious sunlight. There are exactly three times 10 steps, totaling 30. They represent the 30 first degrees of Freemasonry, where the profane is gradually taken from the depths of material life (darkness) to wisdom and illumination (light). We know that Freemasonry comprises a total of 33 degrees and we’ll later see where we can find those last three degrees in the structure. On the right side of the stairs are old rocks reminiscent of walls of ancient Jerusalem while on the left is a smooth and modern wall. This represents the timeless nature of occult teachings, who have been transmitted since ancient times to this day.
Once having climbed the stairs the visitor can admire a great view of Jerusalem. In a symbolic way, the enlightened person gained “spiritual sight”.

View of Jerusalem after climbing the stairs of Illumination

Embedded on the floor is a layline, guiding the traveler  to the entrance of the library, which is conveniently placed right under the pyramid.

The Library

Second Floor of Library

The library is divided in three levels, symbolically representing the last three degrees of Freemasonry (31st, 32nd and honorary 33rd) . The first level is reserved for lawyers, the second is reserved for judges and the books on the third level can only be read by retired judges. The library’s way of functioning – where some information is the exclusive privilege of a selected few – directly correlates with the functioning of occult orders, where teachings of a certain degree can only be given if the initiates have successfully cleared the previous degrees.

The 3 levels of the library

The library contains legal, judicial, philosophical and spiritual works. There is no doubt that the “reserved” books contain a wealth of esoteric knowledge. Right above the higher level of the library (representing the 33rd level of Masonry) is the base of the pyramid. This is  where Freemasonry symbolically ends and the hidden order of the Illuminati begins.

View of the pyramid from inside

Right under the apex of the pyramid, on the floor, we can find sacred geometry patterns.

Sacred Geometry

Jerry Golden has mentioned that a crystal is embedded right in the middle of the pattern, right under the eye of the pyramid. What does it signify?

Judges Bringing Illumination

The entrances of the courtrooms are said to resemble ancient Jewish tombs. The holes atop the doors are meant to permit the soul to leave the room. Also notice the contrast between old and new.

The prison cells, the courtroom and the judge’s quarters are  placed one on top of the other, symbolizing the threefold nature of the world. The inmates are stuck in cells, symbolizing the prison of the lower material world. The courtrooms, placed right over the prison cells, represent the “higher world” where divinity gets in touch with humanity:

Courtroom

In the courtrooms, the judges are illuminated by a natural source of light. So the judges, hearing the pleads of the masses sit there with divine light constantly shining upon them. After the hearings, the judges retire to their quarters, situated right over the courtroom. They symbolically “ascend” to the divine world. When a decision is taken, they “descend” to bring illumination to the lower world.

Fertility Symbol

Outside the courtrooms is a stairway leading to a lower level. No occult temple would be complete without those next two features.

In the middle of the stairway is the shape of a vesica piscis (representing female genitals) “penetrated” by a column (phallic symbol). This is an obvious fertility symbol, a union of the male and female principles. Numerous occult temples insert a fertility symbol in their lower floor (see the Manitoba Legislative Building or Washington Capitol). But wait, there’s usually a rotunda along with the
fertility symbol. Oh, there it is.

Some occult buildings hide the star of Ishtar (fertility symbol) at the center on the lower rotunda. Is hidden there?

Outside

The exterior of the Supreme Court contains loads of symbolic features. Just follow the “Dorothy de Rothschild” stone to see where it leads you.

Obelisk

This is the Dorothy de Rothschild grove. The obelisk is the most commonly used and the most blatant occult symbol used throughout the world. In ancient Egypt, the cult of this phallic symbol was associated with the god Osiris, who was cut in 13 pieces by Seth. Isis traveled far and beyond to retrieve all of Osiris’ body parts and was successful, except for one body part, the penis, which was swallowed by a fish. “The lost phallus” is thus representative of male energy, and is almost always placed (as in this case) inside a circle, which represents female genitalia and energy. The obelisk in the middle of a circle represents the sexual act and the union of opposite forces. In our modern world, obelisks are found on nearly all important landmarks, and thus became and symbol of the occult elite’s power.

Courtyard

The courtyard has beautiful zen-like feel. A source of water is constantly bubbling and streaming through a narrow path towards a strange stone. Official Supreme Court documentation say that the courtyard is a physical representation of the verse from Psalm 85:11:

“Truth springs from the earth, And righteousness looks down from heaven”

The judge’s offices overlook the courtyard, so they are symbolically “looking down from heaven”. The stream of water goes straight and ends up right under a strange and enigmatic stone.


What is this thing and why is “truth who sprung from earth” leading towards it? The stone’s polished surface reflects a distorted image of the courtyard. What does it represent?

Trampled Cross

At the center of the parking facilities are pathways shaped like Christian cross. Jerry Golden has mentioned that this cross has been specifically placed to be trampled on by visitors. He is most probably right. In a building where spiritual symbolism reigns supreme, there are effectively little chances that the layout of those pathways haven’t been thoroughly thought out by the architects. In other words, this can’t be just a coincidence. The visitors have to go down the stairs – symbolically “descend” to lower spheres – to reach the cross. As you might have noticed, the importance of the act of ascending and descending in this building is very important. This is not an exception.
Occult secret societies have historically been at odds with the Christian church who repeatedly persecuted and accused them of all sorts of heresies. During the Middle-Ages the Knights Templar (ancestors of Freemasonry) have been accused by the Archbishop of Canterbury of numerous anti-Christian deeds, including “trampling the Cross under foot” during their initiation processes. Are they poking back at Christianity with this symbol?

Pomegranates

Those pomegranates lying on the floor might seem extremely insignificant for the average onlooker. They however hold a special signification for students of the Mysteries and of Freemasonry.

“Among the ancient Mysteries the pomegranate was also considered to be a divine symbol of such peculiar significance that its true explanation could not be divulged. It was termed by the Cabiri “the forbidden secret.” Many Greek gods and goddesses are depicted holding the fruit or flower of the pomegranate in their hands, evidently to signify that they are givers of life and plenty. Pomegranate capitals were placed upon the pillars of Jachin and Boaz standing in front of King Solomon’s Temple; and by the order of Jehovah, pomegranate blossoms were embroidered upon the bottom of the High Priest’s ephod”
-Manly P. Hall, Secret Teachings of All Ages

As stated by Hall, pomegranates were placed on top of the two pillars standing in front of Solomon’s Temple. If you have minimal knowledge of Masonic teachings, you know that the Temple of Solomon and the pillars named Jachin and Boaz are of an utmost importance.

“The capitals were enriched by pomegranates of bronze, covered by bronze net-work, and ornamented with wreaths of bronze; and appear to have imitated the shape of the seed-vessel of the lotus or Egyptian lily, a sacred symbol to the Hindus and Egyptians.”
-Albert Pike, Morals and Dogma

We know that the Masons patiently look forward to the day they’ll rebuild the Temple of Solomon on its original grounds – Temple Mount, Jerusalem. Are those pomegranates waiting to be placed on the pillars of the next Temple?

To Conclude

This article barely scratches the surface of the occult symbolism of the Israeli Supreme Court. It is however clear that the building’s architecture carries important symbolism relating to spirituality and the attainment of illumination. There are no religious monuments relating to Judaism or any organized religion. The Supreme Court is a temple of the Mysteries, which are an amalgamation of pagan rituals interlaced with an esoteric interpretation of the Scriptures. The teaching of the Mysteries is reserved to members of occult secret societies, which the Rothschilds are obviously part of. The esoteric meaning of this building is concealed from the public but it unmistakably reveals to the initiates who possesses real power in the world.
=======================

“The Neon Demon” Reveals The True Face of the Occult Elite

 

 

The Neon Demon is a movie about the fashion industry and its obsession with youth and beauty. However, through its story and symbolism, the movie reveals the disturbing mindset of the fashion world and the occult elite behind it.


The Neon Demon is painful to watch. Not only is it filled with long hypnotic sequences that emphasize the shallow self-importance of the fashion world, it deliberately dwells on some of the most upsetting human practices possible including p********a, necrophilia, cannibalism and ritual killings. All of these horrors are presented in an aesthetically pleasing matter and placed in a cool, fashionable context in an apparent attempt to normalize them.
Like most of the entertainment analyzed on the Vigilant Citizen, this movie leaves a foul feeling, as if one’s very soul was violated by what was just witnessed. Of course, this kind of result from a “psychological horror movie” is to be expected, but the most disturbing part of this movie isn’t the fiction: It is the dark “real world” truths it appears to celebrate. Indeed, when one knows about the dark side of the entertainment industry – and the occult elite that owns it – the movie becomes a disturbing manifesto, an indulgent celebration from people who revel in darkness. In short, it discloses what the industry is truly about, how it truly functions, and who is truly behind it.
Through the story of a innocent young girl who moves to L.A. with big dreams of being an international supermodel, The Neon Demon reveals the true ugly face of the entertainment industry.
Let’s look at The Neon Demon.

Culture of Death

Subjecting oneself to this kind of movie means being exposed to the twisted mindset of those behind it. And right from the start, The Neon Demon gives us all eyeful of what the fashion world is about: Celebrating a culture of death while preying on youth and innocence.

 

In the first scene of the movie, Jesse poses in a photoshoot where she appears dead after having her throat slit.

If you’ve read past editions of Symbolic Pics of the Month, you’re already aware of this trend happening in actual fashion shoots. Here is one example of a real photoshoot where the model is basically a “fashionable corpse”.

“Pin Up”, W Magazine, 2008

Preying on Youth

The model in the bloody photoshoot is Jesse, a 16 year-old model who is “new in town”. She meets Ruby, a make-up artist who nonchalantly asks her very specific questions.

As Jesse reveals that she’s a young and vulnerable aspiring model, Ruby gives her intense looks as if saying: “I want to consume you” … literally.

– You’ve just got to L.A., Jesse?
– How did you know?
– You’ve got that look. Don’t worry honey. That whole deer-in-the-headlights thing is exactly what they want.

The “deer-in-the-headlights” thing means youth and innocence. “They” prey and feed on it … literally.
After learning about Jesse’s vulnerable situation, Ruby invites her to a party. This is how newcomers get introduced to the claustrophobic social bubble that is the fashion world.

At the show, Jesse is introduced to two other models, Gigi and Sarah, who also quickly interrogate Jesse.

Ruby mentions that lipstick colors tend to sell more when they’re named after food or sex. She then asks Jesse:

– Are you food or are you sex?

This odd question will become extremely relevant later in the movie. Indeed, there are two ways her vital energy can be “consumed”.
The girls then watch a bizarre show that features a tied-up model. At the climax of the show, she is lifted in the air and placed in position that carries important symbolic meaning.

While music is blaring and lights are flashing, the bound model floats in the air.

The model’s position is strongly reminiscent to Louise Bourgeois’ Arch of Hysteria.

Louise Bourgeois’ “The Arch of Hysteria”

This particular piece of art and position was shown to be important to the occult elite. Serial killer Jeffrey Dahmer placed one of his headless victims in that specific position (you can view the disturbing picture here if you absolutely need to).
Dahmer was a cannibal. The Neon Demon also deals with cannibalism. And more. Like abusing minors.

Keano Reeves plays the role of a motel owner who rents rooms to aspiring models. He’s a creep.

At one point, the motel owner tells Jesse’s friend to check out a girl at his motel.

“Take a peek in room 214 if you get a chance. Runaway. Thirteen years old. Real lolita sh*t. Room 214. Gotta be seen.”

 

Later in the movie, the motel owner creeps into Jesse’s room to insert a knife down her throat. It is a disturbing reference to violent abuse of young models.

Through these various scenes, we understand that Jesse has entered a messed up world that is looking to consume her.

Entering the Industry

Jesse is soon recruited by a fashion agency that promises her to work with “all of the big designers”, which will lead her to”international success”. When Jesse admits that she’s only 16 years old and that she did not graduate from high school, she is told to tell people that she’s 19.
Nobody cares that she is a minor. In fact, her youth gives her that “something” that the industry desperately preys on. Youth is not only used to sell copies of magazines, it is exploited on a deeper level. Primitive civilizations used to sacrifice young virgins to the gods because they were believed to have the most “magical potency”. This concept is still alive today. People with great wealth, power, and influence believe in these occult concepts that most think to be outdated. The Neon Demon addresses these things in a thinly veiled matter.
When Jesse goes to her first photoshoot with a “big” photographer, things get weird.

At the photoshoot, Jesse has a shiny thing glued to her face. Its shape is reminiscent to the head of Baphomet, complete with horns and the torch of illumination. While this might be a coincidence, the occult context of the movie would say otherwise.

When the photographer sees Jesse with her golden stickers, he appears taken with her. He tells everybody present to leave the room. He then orders Jesse to take off all of her clothes. She’s still 16.

Then, in a strange scene, the photographer passionately rubs Jesse with gold stuff, strangely focusing on her throat in scene that might simultaneously refer them doing it and her being “the golden girl” of the industry.

Transformation

Jesse’s “It” factor leads her to star at a fashion show. This show begins normally but soon turns into a long, hypnotic, occult ritual that appears to profoundly transform Jesse.
As Jesse walks down the runway, an alternate scene simultaneously takes place in a “higher” dimension. The fashion show is Jesse’s initiation to the industry, where she discovers her new alter persona.
 

Jesse finds herself under an illuminated pyramid – symbol of the occult elite.

We see the birth of a new Jesse who cannot stop kissing herself.

After the show, a new, sexy, non-innocent Jesse is born.

A new Jesse is “unveiled”. She is not a goodie-two-shoes anymore. She wants to be part of the glamorous and supercifial world of fashion.

Under the Eye All-Seeing Eye

As Jesse progresses into the fashion world, we are subtly introduced to the dark occult world that rules it. We are also heavily introduced to the symbol that represents it: the ubiquitous All-Seeing Eye (of course). In the movie, the all-seeing eye, aka the eye in the sky, is associated with the moon.

Under a full moon, Jesse talks about how she has no discernible talent except for being pretty … and about how she used to talk to the moon.

“When I was a kid, I would sneak out the roof at night. I thought the moon looked like a big round eye. And I would look up and say: Do you see me?”

Jesse wanted to be noticed by the entertainment industry. She wanted the “big round eye” to see her. Well, it saw her. She got initiated into the industry.
When things get dangerous at her motel, Jesse is invited to stay at Ruby’s house … and things get even weirder. The deer-in-the-headlights is now trapped inside an elite home, and the predators are circling in.

At first, Ruby forces herself on Jesse, who admits being a virgin.

When Jesse pushes her away, Ruby becomes mad. If Jesse cannot be sex, she will be food (you remember the quote above?). But first, Ruby has to do something real quick.
In the next scene, we see Ruby at her second job in a mortuary home where she does makeup on corpses. When she receives the body of a young woman, Ruby becomes very excited.

Ruby kisses and fondles a dead body. Yes. The movie goes there. For a long time.

While this disturbing scene is happening, another scene is juxtaposed to it.

While Ruby is indulging into all-out necrophilia, Jesse sensually touches herself.

This annoying bit is dragged on for a long time. As Ruby gets excited and moaning sounds intensify, we realize that the movie makers are actually trying hard to make this scene arousing to the viewers. It’s like, they’re really into that stuff and they want us to be into it as well.
After this unnecessary scene, Jesse dresses up for no apparent reason. She becomes the sacrificial lamb.

Jesse puts on a white dress, looking as if she was a young girl about to be sacrificed to the gods.

When Jesse goes outside, Ruby and her two model friends go after her and kill her.

Blood sacrifice. The movie makers made this death scene as fashionable as possible.

Ruby and her friends do not simply kill Jesse … they consume her. Literally.

Ruby is literally bathing in Jesse’s blood. The two other models are also drenched in blood in the shower.

After this nauseating scene, we see Ruby partaking in a strange ritual under a full moon – the “big round eye”. She is demonstrating servitude to the the All-Seeing Eye.

Ruby lays on the floor, basking in moonlight.

As if to emphasize the culture of death, Ruby is then seen laying where Jesse has been buried.

Meanwhile, the two other models who consumed Jesse are featured in a high-profile photoshoot. Apparently, eating Jesse imparted them the “It” factor that makes them desirable by the industry again. However, during the photoshoot, one of the models feels sick.

The model cannot take having Jesse inside of her. She stabs herself in the stomach and throws up Jesse’s … eyeball.

The other model picks up the undigested eyeball.

What does she do with the eyeball? Guess.

She eats it! She eats the whole thing!

Then, with a completely vacant look on her face, the model goes back to the fashion shoot. ** Cue pop song by trendy pop singer Sia. **
So, what the hell just happened? What is the moral of the story?
Well, “moral” is not really a word that applies here. “Moral” means “concerned with the principles of right and wrong behavior and the goodness or badness of human character”. There is no “moral” here, just an exposition of what the fashion world is about.
The Neon Demon describes how the industry preys on young girls (preferably very young), trapping them in a world they cannot escape. It depicts how people deep in the industry are involved in sick practices motivated by dark rituals.
Jesse, a simple girl from a small town, was full of the natural beauty and vitality that the soulless Hollywood vampires so desperately crave. After years inside the cesspool that is the fashion industry, all the humanity has been sucked out from them, leaving them yearning for young blood.
Innocent souls not yet tainted by the industry are lured towards the “inner circle” to then be exploited. When they cannot be used anymore, they are disposed of. Those who actually make it in the industry are those who profit from the exploitation – those who “absorb” the life force of others. Those who make it are those who have completely sold their soul and are willing to swallow the occult elite’s eyeball to keep going.
The Neon Demon is about celebrating all of this. Literally.

The premier of Neon Demon featured the stars eating eyeballs. Behind them is a pyramid with a missing eyeball at the top.

In Conclusion

After watching The Neon Demon, it is not surprising to learn that it failed at the box office. It is an indulgent, self-aggrandizing, promotional piece by the industry and for the industry.
And no, the movie does not aim to “expose” or “reveal” anything. It actually attempts to make everything cool, trendy and fashionable. What makes this movie more disturbing is the fact that there is actual truth behind the fiction. People at the highest levels of these industries are indeed steeped in systematic abuse, exploitation, and all kinds of other sickening practices. They are so protected by the system that they can make movies about this crap and nobody interrupts their fun.
Why are they so into this? Well, once you swallow the occult elite’s eyeball, you’re either infected for life … or you die. ** Cue pop song by trendy singer Sia **.

===============