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Monday, August 7, 2017

Manchester Terror Attack: Rallying the Youth Around the Occult Elite


Manchester Terror Attack: Rallying the Youth Around the Occult Elite



The Manchester Terror Attack took place at a concert for Ariana Grande – an music industry superstar. It was a grand and horrifying clash of the worlds of entertainment and high-stakes terrorism.

The Manchester terror attack was sickening for several reasons. Its aftermath was also sickening, for a slew of other reasons. It was about forcing horror on children, killing dozens of them and shattering whatever wonder and innocence that was left in the survivors. It was about mixing the worlds of song, dance, and entertainment with fear, death, and horror.

On May 22, 2017, a suicide bombing occurred in the UK, immediately following a concert by Ariana Grande at Manchester Arena. Twenty-three adults and children were killed, and 119 were injured, 23 critically. ISIS claimed responsibility for the attack.

Before I go any further, it is necessary to explain the underlying nature of ISIS. Contrary to appearances, it is not an enemy of the world elite. In fact, the emergence of ISIS was “facilitated” by the powers that be.

In 2014, I published an article entitled ISIS: A CIA Creation to Justify War Abroad and Repression at Home; it is still relevant today. “ISIS” is continuously used to destabilize governments hostile to the elite, while facelessly causing fear, panic, and terror in major cities.

The elite agenda is rooted in fear, panic, and terror. Such emotion is a golden currency, an invaluable asset that can be used to shape and mold society with little to no resistance.

The number of terror attacks and deaths blamed on ISIS is staggering and is becoming, sadly, a “new normal”. Places of fun, leisure, tourism, and entertainment are being turned into sites of carnage. And, of course, after each event, no concrete plan or solution is ever proposed. It is almost as if they want modern society to accept the notion that it is “normal” for any person to be randomly killed at any time, for no particular reason.

Is there any mainstream discussion about the problems that are the root cause of ISIS and concrete ways to solve them? Rarely. However, a bunch of “satellite issues” are often brought up – ones that were clearly on the elite’s agenda for years, simply waiting for the next terror attack to bring them about.
Here’s what Theresa May had to say in the wake of the Manchester attack:


A headline from the Independent.
Apparently, terror needs to be contained through the regulation of the internet.
May stated:
“We cannot allow this ideology the safe space it needs to breed – yet that is precisely what the internet, and the big companies that provide internet-based services provide,” Ms May said.
“We need to work with allied democratic governments to reach international agreements to regulate cyberspace to prevent the spread of extremist and terrorism planning.”
The response to each terror attack is one more incremental step towards an all-out, highly monitored police state that represses all of its citizens. The only response to terror society is capable of, it would seem, restricting the basic rights of privacy, free speech, and democracy of ALL citizens. It is never about understanding the root of it all … because then things get real. And the elite don’t like when people get real. They want people to be afraid while listening to Ariana Grande.


Ariana Grande

 

The Manchester bombing took place in a setting with heavy symbolic value. It occurred during a show by an industry superstar who is particularly loved by children: Ariana Grande. And, in case you haven’t read other articles on this site, she is a tool of the elite – not unlike ISIS. However, Grande works in the elite’s “entertainment” department.
Through the handful of media conglomerates who sign and promote a select group of stars, the elite uses this system to shape and mold the masses – especially the youngest and most impressionable – to adopt specific ideas, values, and attitudes.

Ariana Grande has been part of the system since she was a young teenager who played the role of “Cat Valentine” in the Nickelodeon show Victorious. This role led her “teen idol” status, a platform that was then used to launch her singing career.
Not unlike other teen idols, Grande’s solo career coincided with a drastic image change. She quickly became a figurehead of the “Sex Kitten” agenda used to expose children to sexual imagery at a young age.
Indeed, “Cat Valentine” from Victorious turned into a singing Beta Kitten.



Since the launch of her singing career, ‘cat ears’ became part of Grande’s trademark look.
Everything about her is cat related.
Grande is often dressed innocently in accessories that could be used in the elite’s “Eyes Wide Shut” parties where Beta Kittens are involved.
Cat.
Throughout her career, Grande has been told to flash the one-eye sign in photoshoots, confirming that she’s part of the elite’s system.


From Cat Valentine to Ariana Grande: All about the one-eye sign from early on.
In 2016, Grande released a new album and a new tour eerily called Dangerous Woman.



If one analyzes the grand scheme of things, what happened in Manchester is deeply disturbing. Thousands of young people, hooked by the intense marketing machine behind Ariana Grande, were lured into a packed arena. A bomb then exploded, killing and injuring children, violently colliding the worlds of elite entertainment with elite terrorism, forcing an entire generation to face unspeakable evil and horror.


There is something disturbingly prophetic about this picture.
If, in the past, the youngest members of Western society could avoid the constant flow of depressing, terror-related news by focusing on entertainment, that era is now clearly over.
In response to the attack, on June 4th, Ariana Grande headlined One Love Manchester, a benefit concert for the victims of the attack. 
The show also featured Miley Cyrus, Katy Perry and Justin Bieber. These artists each share at least two things in common. First, their target market is children and teens. Second, they’re all fully part of the occult elite industry and their entire catalogs are drenched in its symbolism. Everything about them refers to the dark side of mind control and cryptically refers to trauma, abuse, and occult rituals.

Not unlike Grande, Bieber, Cyrus and Perry are not strangers to the one-eye sign. On a deeper level, they’ve all fully embodied the roles of MK slaves at the mercy of the elite.
These were the stars chosen to “respond” to terror and to uplift the masses. On a wider scale, they represent the mainstream opposition to ISIS. If you don’t like ISIS and terror, you are told you need to embrace these pawns of the occult elite’s industry. They are the answer.


The logo of One Love Manchester features the MK bunny ears associated with Grande’s “Dangerous Woman” album.
Appropriately enough, the concert finished with Ariana Grande singing Somewhere Over the Rainbow – the classic 1939 song written for the movie The Wizard of Oz.
In the world of Monarch Programming, “over the rainbow” is a code of dissociation. The movie The Wizard of Oz has been used as an MK ULTRA programming script for decades and the song is used to induce dissociation. The fact that this song is used at the end of a concert for children headlined by representatives of the MK system is rather telling.

“Over the rainbow in Oz is for the Monarch slave to be in a trance, and into a certain area of the programming. To be fluctuating at both ends as an observer and not a participant or to go to the other extreme and become a participant.
The theme song of the movie goes, “Somewhere over the Rainbow…there’s a land where the dreams that you dare to dream really come true.” These lyrics are a method to hypnotically confuse the brain to perceive that the “over the Rainbow experience” (which is usually horrible abuse) is a “dream”. The dissociative mind is only too happy to call the trauma a dream, which is lived as a reality for a moment, but is nevertheless recorded by the mind as a fantasy.

The term for this is cryptoamnesia, which means the process where the proper functioning of memory is hypnotically messed up. The slave’s internal world becomes “reality” and the external real world becomes the Land of Oz which is perceived as make-believe.”
– Fritz Springmeier, The Formula to Create an Undetectable Mind Control Slave

The same way that mind-control slaves are exposed to intense trauma to induce dissociation, the masses are exposed to trauma through terror to the point of numbness … and then are told to “go over the rainbow”.
The fear of “terror” is its own black magic, and it can be used to contaminate minds, debase the soul, and, as we continue to see, to disrupt society. The waves of shock and grief it generates quickly become part of the “psychosphere” and end up defining an entire generation. They feed off of death, despair, and distress, and they seek to poison all aspects of society with it. 
Do not let them contaminate your mind and don’t be fooled by their “dangerous” men or women.

https://vigilantcitizen.com/vigilantreport/manchester-terror-attack-rallying-the-youth-around-the-occult-elite/

Selena Gomez’s “Fetish” is Symptomatic of a Sick Popular Culture




Selena Gomez’s “Fetish” is Symptomatic of a Sick Popular Culture




In the music video for Fetish, Selena Gomez harms herself in all kinds of painful and degrading ways, while displaying symptoms of severe mental issues. The video is considered “hot”. Something is seriously wrong with pop culture.

Selena Gomez is a classic example of them child star who garners millions of young fans and then introduces them to the debasing, depraved, and sex-based culture of the entertainment industry.
After appearing on the TV show Barney and Friends, Gomez was recruited by the Disney Channel to appear on Hannah Montana (starring Miley Cyrus, another ex-Disney star gone wild). Gomez then was given her own Disney Channel show, Wizards of Waverly Place, which became a big hit and caused Gomez to gain millions of fans worldwide.

Selena Gomez as Alex, the star of Wizards of Waverly Place.
In 2014, Gomez fired her mother and stepfather as her managers (they had managed Gomez since her career began) and signed with WME and Brillstein companies. Later that year, Gomez signed with Interscope Records. Like Miley Cyrus, Ariana Grande, Demi Lovato and countless other children raised by/in the industry (especially from the Disney Network), Gomez proceeded to launch a solo career that introduced her young fans to a new, over-sexualized Selena with content that is heavily tainted by the elite’s agenda.
In 2016, Gomez canceled the remaining 34 dates of her Revival world tour to check into a rehab facility for 3 months for “undisclosed mental health issues”. In the industry, “rehab” is oftentimes a code word for “re-programming”.

13 Reasons Why That Ain’t Right


13 Reasons Why on Netflix
Shortly after emerging from rehab, Gomez served as executive producer of the “hit” Netflix series 13 Reasons Why. The series has been a source of constant controversy due to its graphic, and some say glamorous, depiction of suicide.
“Mental health experts describe the show as worrisome and point to how its relatable characters and graphic depiction of suicide can pose a health risk for young people already struggling with mental health issues.”
– CNN, ’13 Reasons Why’ tied to rise in suicide searches online
A study recently revealed that the show was linked to a rise in suicide-related web searches, notably “How to commit suicide”.
“After the premiere of “13 Reasons Why,” the search phrase “how to commit suicide” rose 26% above what would normally have been expected for that time; “suicide prevention” went up 23%; and “suicide hotline number” climbed 21%, based on the paper’s data. “The time for rhetorical debate is over,” said John Ayers, research professor at San Diego State University and lead author of the paper. “While ’13 Reasons Why’ has certainly caused the conversation to begin — it’s raised awareness, and we do see a variety of suicide-related searches increasing — our worst fears were confirmed,” he said. “That is, thousands of people, thousands more, are searching online about ways to kill themselves.”
– Ibid.
Some researchers also argue that the show might have a negative impact on some teenagers with existing mental-health issues.
“Looking at it from a prevention standpoint, it’s concerning when a young person already has a prehistory or an existing mental health problem with anxiety, depression, and, for a smaller group, actually psychotic illnesses,” Schwartz said, adding that such illnesses are risk factors for suicidal behavior. “If a young person has a history of serious mental health or substance concerns, then obviously that adds a layer of vulnerability” when consuming media about suicide, he said.
– Ibid.
In short, Gomez is at the helm of a show that fosters an unhealthy fascination with suicide in the minds of young people. Some argue that the show is “raising awareness” about suicide, not glamorizing it. If that is the case, why would the show’s executive producer, Selena Gomez, appear in a music video where she harms herself in a “sexy” video? Isn’t that specifically glamorizing suicide?
Those guiding and funding popular culture seem bent on debasing and demoralizing the youth. As a result, popular culture is depressing, promotes self-destruction, and is helping to create a generation of sick, debased, and vulnerable humans.

Fetish

In Fetish, Selena appears completely “out of it”. Is she on drugs? Is she mentally ill? Is she under mind control? Is she possessed by the devil? All of the above? Who knows. One thing is for sure, she is not OK.
The video begins with a nice shot of a summer sky with birds chirping. Then this flashes on screen:

 
A quick flash of Selena’s distorted face. It doesn’t look right, as if something bad is currently happening to her. It is a typical “quick-flash” scene that sets one’s brain to being sub-consciously disturbed.
We then see Selena walking towards a wrecked car.
Is this shot a way of symbolizing Selena’s own “wrecked” mental state? Because, as we can see above, she is not OK.
Inside the house, Selena stumbles towards the kitchen, throws all of the groceries she just bought on the ground and starts rolling around on them. Yeah, something is not right with her.

Why are you on the floor, Selena? Also, you’ve ruined perfectly good eggs.
Meanwhile, Gomez is singing about being the sexual obsession of someone – someone who is rather forceful. We get a sense that she does not have control over the situation.
“You got a fetish for my love
I push you out and you come right back
Don’t see a point in blaming you
If I were you, I’d do me too”
The last lines, Don’t see a point in blaming you, If I were you, I’d do me too, is reminiscent of the Stockholm Syndrome, where a captive sympathizes with their captor:
“feelings of trust or affection felt in certain cases of kidnapping or hostage-taking by a victim toward a captor.”
Another bit of the song refers to the same concept:
I’m not surprised
I sympathize, ah
I can’t deny
Your appetite, ah
During the video, Selena never really sings to anyone. Instead, we see her staring at the sky and apparently singing to the sun.

 
Gomez spends a lot of time singing to the blazing sun. The shadow of her hand hides one eye – effectively making a one-eye sign (aka the sign that pop stars do to display their submission to the occult elite).
More hot one-eye action.
Is the song actually about the elite sexually owning Selena Gomez? Because she is not singing to a person, but to the “eye in the sky”. Also, because most ex-Disney child stars end up being Beta Kittens (read more about this here).

 
As Selena stumbles into the dining room, there’s a painting of a kitty. Is it referring to Beta Kitten programming?
Selena tears up her stockings with a crazy, spacy look on her face. As usual, Selena is dressed to look like a “sexy” 14-year-old.
One thing that is sure, this “fetish” appears to be causing Selena to be at the point of self-destruction. Here are examples of self-harm and mutilation that she inflicts on herself. Please keep in mind that a great percentage of her fans know her from the Disney Channel.

 
She takes a piece of broken glass and eats it. In case you didn’t know, doing this hurts a lot and causes your mouth to bleed.
Selena tightly ties her tongue with rope. Quite literally, her “tongue is tied”. Also, this is a genuine torture technique that abuses the gag reflex.
 
Selena clamps down on her tongue using an eyelash curler. She doesn’t appear like her tongue. Has she, like many industry pawns before her, lost her ability to speak out?
 
Selena picks up a bar of soap and eats it. Is she doing it because she hates herself? Is she being told to do it? Why are you eating soap, Selena?
The behaviors displayed by Selena in this video are actual symptoms of depression, low-self esteem, self-hatred, and even suicidal tendencies. Considering the lyrics, one can also add to the list using sex, even degrading sex, as a way of obtaining validation. I am not a psychologist and I am not about to give a specific diagnosis, but I can safely say that in this video she is not OK.
This is the kind of crap of that is passed off as “entertainment” nowadays. Songs about holding hands with your significant other and being in love? NOPE. Songs about being used as a sex object while torturing yourself? YEP.
Then Gucci Mane comes on and raps about how he is taking advantage of that mess of a situation. Thank you for your input, Gucci Mane … or is this his CIA clone? (When Mane was released from prison in 2016, a rumor claimed that he was replaced by a CIA clone because some of his tattoos were missing and that his speech pattern changed. Who knows.)
Meanwhile, Selena is for sure still torturing herself.

 
Selena, writhing inside an industrial refrigerator, doing her best to get hypothermia. Get off the floor, Selena!
UM, THAT GIRL AIN’T RIGHT

In Conclusion

Sadly, Fetish is a typical product of today’s popular culture. The video is oddly depressing, it leaves viewers with a gut feeling that they’ve witnessed something wrong, and it mixes the concepts of self-destruction with sexuality … all wrapped up in a “sexy” package and marketed to young people who are still learning what love, sexuality, and relationships are all about.
Selena is also directly involved with a series that markets suicide to young people who are still learning what life is about. Why is she associated with this awfulness? Is Selena Gomez really the mastermind behind a series that has had such a powerful impact on viewer’s brains that it was scientifically linked to a spike in web searches about how to commit suicide? Or, maybe, is she is simply a “child-friendly” face associated with these projects as a way of marketing to her core audience?
Fetish and 13 Reasons Why are similar in many ways: They are pieces of “entertainment” that are carefully crafted to put people in a specific mood and to contemplate specific ideas. This is not art. It is mental conditioning.
Popular culture is sick because it is developed intentionally to create a generation that is sick. The people who make it want their audience to be anxious, confused, depressed, and self-destructive. Why? Because, ultimately, it makes that audience easier to control. What’s the best way to sell this? Associate it with sex and say it’s just a “fetish”.

https://vigilantcitizen.com/musicbusiness/selena-gomezs-fetish-is-symptomatic-of-a-sick-popular-culture/