Names - two-schneuß - three-schneuß - four-schneuß
Like Friedrich Bernhard Marby says, they belong to the rune-allegories representing the movement or spin. Literally:
" This is not only the case with the swastika. There are movement-symbols, that show 2-12 so-called hooks or feet. The original, old names were: two-Fos, three-Fos, four-Fos, etc or two-foot, three-foot, four-foot, five-foot etc - now, that each one has hooks , they later on also said in order to camouflage:
Hooks, instead of: Heels, like previously: Foot instead of the original: Fos. The more the " Christian " church strove to kill and burn the shrewd , the more they had to camouflage themselves and they had to camouflage their knowledge in the " Kalander-language ", that means giving the things other names , changing the names . Therefore Kalander-Sprache (kalen = speaks, ander = change). That's how it became Fos = foot, (foot) heels = hooks and these alterations were to notice most clearly with the notably symbol , with the four-Fos or as it is called today: Swastika. With the other with " Fos " equipped symbols the old terms remained, like for example Tuefos, Trifos,Femfos, Sexfos (or two-fos, three-fos, five-fos, six-fos, etc.).
Because the Germanic buildings, whose masters, skilled workers and apprentices had the only right measurement , like once a Roman pope expressed himself , they were the only ones allowed to build the Christian churches ( because otherwise the mundane constructions would have been more beautiful than the churches). - This style is called, that the Germanic buildings could apply since about 1150 , the " Gothic style ".It is the style, that reminds of the original church of the ancient Germans, of the cathedral of the forest, in its naturalness, nature-loving-ness and liveliness. In this style human beings and nature are stretching themself , detaching themself from the weight of the material, to the heaven, upwards to God ! Previously, the ancient Germans had also built churches already, also in the so-called " Romance style ", and also earlier than the emergence of the Rome- church. Already 6000 years before that our calendar became binding, a wood-church stood on the position, on which the Cologne cathedral stands today.In Germany and the adjoining countries there were also churches built in the so-called Romance style and built from stones for a long time before the forcible introduction of the Christian teachings . - The style of the so-called " renaissance " penetrated from Italy in the 15 th. Century of our present calendar. In this style, the religious reason-stand, that has found its purest expression in the Gothic churches and cathedrals, is missing a stand that avoids each rigidity and connects the earth and heavens, nature and spirit, human being and God together.
In the timbering of the houses, like also in the church-constructions and town halls, that the Germanic buildings have built, we find the symbols of the true way to God, the symbols of the world, the cosmos and the life, in the tracery like in all parts of these constructions as " jewelry ". I bring some examples for it:
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Furthermore, one finds the five-schneuß, the six-schneuß etc. These figures correspond to the two-fos(digit 2, planet Uranus) that Trifos (digit 3, planet Saturn) the Vierfos (digit 4, leadership, planet Jupiter) the Femfos (digit 5, planet Mars). The Sexfos (digit 6, planet sun) etc. The three illustrations show the right-spin. In these tracery-signs the left-spin can also be found everywhere.
Today we call the empty space of the symbols named above " fish-blister " or " Schneuße ". The word "fish-blister" betrays the camouflage again. The older word is Schneuße. That is also how the Schneußen (existing in the allegories mentioned before) divide off the tension-fields in the area *).
1. the three-pass - 2. the four-pass - 3. the five-pass
the six-pass, the seven-pass etc. You can find these symbols on and in Gothic constructions as signs of the old Germanic philosophy and religion and furthermore many times in coats of arms with the same meaning-basis.
Furthermore these symbols, in which the Schneußen are interconnected with lines, so that trained leaves originate, in fact the three-pass as shamrock, the four-pass as any flower, the five-pass as five-leaved rose, the six-pass as six-flaky rose etc up to the twelve-flaky rose, in the west-front of the churches, or the l6flaky (old rune-number) rose or the 18-flaky (Wodans rune-number) rose or as 24-flaky (also a rune-number) rose, can be found. Always and everywhere, the rose tells about the value of the race and the pure generation " .
Sources: F.B. Marby 'Der germanische Einweihungsweg
pages 57 - 60
Reprint in the Spieth Verlag