Lords of the Ring
Michael Colhaze
October 31, 2010
One 
Ring to rule them all, One Ring to find them,
One Ring to bring them all and in the darkness bind them
In the Land of Mordor where the Shadows lie.
JRR Tolkien
 Many 
moons ago and for a few years only, I wore my locks long and sported colourful 
garb and roamed the psychedelic haunts of Paris, London or Amsterdam, usually 
holding a joint in one hand while employing the other to underline with languid 
gestures my latest concept of how to bring instant peace and love to the world. 
As for my fellow freaks and hippies, most subsisted on very little, at least 
money-wise, but nearly all had pets, the latter named frequently after a brand 
of heroes much en vogue during those innocent times. For cats, Galadriel 
stood high on the agenda, also Arwen and Legolas. In Amsterdam my 
next-door neighbour, a middle-aged lady with henna-dyed hair, flowing dresses 
and tinkling bells around one fat ankle, owned a huge tomcat called Gollum. 
When he was one day run over by a lorry, she came and cried bitterly into my 
lap. I did my best to comfort her, though secretly rejoiced because the cunning 
bastard, nomen est omen, used to be a veritable bane for the local 
sparrows and blackbirds, and long since had I weighed means of abandoning him in 
a far-away place without coming under suspicion. As for dogs, I remember a 
Frodo, Bilbo and Pippin, also one Boromir, him a mighty 
Leonberger and the gentlest fellow I’ve ever met.
 
Which gives you an idea of how much Tolkien’s arrant epos was on our mind during 
those happy years. Wherever you came, you found in the bookshelves from 
cardboard boxes or orange crates at least one copy, usually a weighty paperback 
falling apart from much use. Walls were hung with coloured maps of Middle 
Earth, and Gandalf was a household name for anything from an 
Underground publication to a short-lived artistic society. Depending on fantasy 
and imagination, and perhaps also on the daily cannabis consume, an inordinate 
number of people identified with a member of the Fellowship, or wished fervently 
for the return of the King, or would have retired into the Shire without looking 
back even once. 
On the other hand there were some, myself included, who had enjoyed the book but 
found it somewhat lacking in psychological depth. It was, after all, a 
monumental canvas painted largely in black and white, with protagonists either 
amazingly valiant, handsome and noble or the absolute opposite, namely 
unspeakably ugly and wicked. Which made the tale rather predictable and deprived 
it of the complex emotional touch that otherwise would have found a way into the 
heart. Still, Tolkien’s power of imagination cannot and will not be denied, and 
for his excuse it must be said that he relied much on the High Germanic saga 
like Edda or the Nibelungen, and that those were on the whole magnificent 
exemplifications of the eternal battle between Good and Evil. A battle where 
tads of intellectual embroidery might have seemed misplaced.  
 
Yet under the heroic plainness hid an aspect that intrigued me and many of my 
friends considerably, namely the deeper meaning behind the fantasy. 
Because, as we all agreed, there had to be one since the tale was simply too 
carefully thought out to be without one. Never mind that the ghastly Sauron, 
title figure and main protagonist aiming to enslave the world and mankind 
particularly, didn’t turn up personally during the proceedings. But his presence 
is overwhelmingly felt, and he had to have an equivalent within the recent 
history of man, and as such a name that made sense. 
 
First in line was of course Adolf Hitler, temporal saviour of a betrayed, ruined 
and starving Germany robbed naked by the Versailles victors, but for the rest 
and according to the New York Times the biggest blackguard ever to set 
foot on our sacred earth. Next came good old Joe Stalin, mass murderer par 
excellence supported by a closely knit clan of henchmen as described and defined 
by the great  
Solzhenitsyn in his Gulag and Two Hundred Years Together.
Then the fabulous Chairman Mao, who most likely holds the Guinness record for 
accumulated corpses worldwide. And finally the inventors of the nuke, embodied 
by one Robert Oppenheimer who paid, just like that abominable fraud Freud, with 
lung cancer and a slow and painful death for his sins. 
But try as you might, none of the above really made sense. One reason was of 
course that Tolkien had begun The Lord of the Rings already in the 
mid-thirties, long before those villains blossomed medially into full bloom. 
As to the ring itself, what kind of power did it exactly wield? It was, this we 
know, potent enough to enslave the lesser ones, but not all-powerful. 
Because long ago Isildur King of Gondor, in a desperate attempt to stem 
the advance of the Orcs, had offered battle to Sauron their 
chieftain. And in a one-to-one succeeded with God’s help to cut off the latter’s 
hand which bore the ring. A feat that routed the Dark One and his hosts, at 
least for a while and until he tried another grab at the hideous thing. 
 
My understanding of Tolkien’s political leanings is scant. He himself has, as 
far as I know, refused to give any clues. But there are hints. It is rumoured 
that he considered General Franco rather emphatically as the saviour of Catholic 
Spain, a view much at odds with contemporaries like that heartless hunter, 
boozer and scribbler Hemingway and his liberal chums. One of Tolkien’s close 
friends, the writer and poet Roy Campbell, had witnessed the atrocities 
committed by Marxist death squads against priests and nuns in Cordoba and 
described them in vivid detail. What makes him interesting in this context is 
that he also contributed articles to The European, 
a fascist gazette run by 
Lady Diana Mosley, 
wife of Sir Oswald and, as James Lees-Milne described her, the nearest thing 
to Botticelli’s Venus as I have ever seen. 
 

Ezra Pound, among others, was a fellow contributor to
The European. 
The latter should have rung a bell, but didn’t. Nearly 
twenty years had to pass before bits and pieces fell into place, at least within 
my much limited perception. One was an exhibition, the other a production of 
Wagner’s Ring. 
The exhibition was staged in Frankfurt by one of the 
more affluent art establishments, meaning that decent Fizz, snacks with French 
pâté and a few interesting people could be expected on the eve of its grand 
opening. Which was the reason, some curiosity apart, why an old friend took me 
there. Both of us have no truck with Modern art and knew the artist only vaguely 
by name. 
Lucien Freud 
it was, grandson of you-know-who, and his hams about as uplifting as a dead rat 
under the sink. As we stood in front of one, an uncouth male nude reclining on a 
smutty bedstead with legs spread wide open while scratching reddish genitals 
dangling above a cavernous anus, my friend cast a look around and said: 
Grand Orc of the Crap Arts!
Never had any sense of beauty, and never will! 
[ΒΓΑΛΑΜΕ ΤΗΝ ΦΩΤΟΓΡΑΦΙΑ ΑΥΤΟΥ ΤΟΥ ΕΡΓΟΥ ΔΙΟΤΙ ΗΤΟ ΑΚΡΩΣ ΑΗΔΙΑΣΤΙΚΗ]
A remark that transported me 
immediately into a more sunny and innocent past, but also made me decline any 
comment. Because this was after all Germany, a country ruled by politically 
correct criminals that long since have booted the freedom of expression as laid 
down in the constitution, and who slap you for years on end into the cooler if 
you dare to insist on it.

Damned be the Ring I forged 
with a Curse!
Though the Gold gave me 
unlimited Might
Now its Sorcery has brought me 
Ruin!
                                        
The Rhinegold, 3rd 
Scene 
About a week later I saw, and heard, Richard Wagner’s Ring of the Nibelung. 
I have no intention, and lack the intellectual acumen, to give this masterwork 
its proper due. George Bernhard Shaw, in his essay The Perfect Wagnerite, 
has summed it up like this:  Only 
those of a wider consciousness can follow it breathlessly, seeing in it the 
tragedy of human history and the whole horror of the dilemma from which the 
world is shrinking today. 
Dilemma?! Horror?! 
Shaw did not enter into detail as to the above, but the composer himself was 
more forthcoming.
 
You ask me about Jewry. I felt a long-repressed 
hatred for them, and this hatred is as necessary to my nature as gall is to 
blood. An opportunity arose when their damnable scribbling annoyed me most, and 
so I broke forth at last. It seems to have made a tremendous impression, and 
that pleases me for I really wanted only to frighten them in this manner. 
Because it is certain that not our princes, but the bankers and Philistines are 
nowadays our masters... (Correspondence between Wagner and Liszt, Vol. I, p.145, 
18/4/1851) 
He did however not intend, as stated very clearly elsewhere, to blame the whole 
tribe, just as you and I wouldn’t consider every Italian automatically a member 
of the Cosa Nostra. 
 
As to the tremendous impression, this is how it commences. Namely at the very 
bottom of Germany’s mighty river Rhine. There a trove of gold lays embedded in a 
reef, glinting and gleaming mysteriously in the sunlight that filters through 
the timeless waves. Beautiful mermaids guard it on orders of their father, 
enjoying its dazzling radiance, cajoling and wriggling their lovely bodies in 
the bright reflection. Until one Alberich crawls out of the deep, a 
stunted Nibelung and Son of the Night who beholds the maids with greedy 
eyes. When he tries to seduce them, they only laugh, pull his beard and taunt 
him. Enraged, he asks about the significance of the gold. Carelessly they tell 
him that unlimited Power to rule the World is in store for the one who 
will forge a Ring out of the precious metal. But, they also warn him, this feat 
is only possible if he renounces forever the Power of Love. 

It takes Alberich only a moment to make up his mind.
 
The World as heirloom would I gain!
And if I cannot have Love
Might I not cunningly extort Lust? 
The Light will I extinguish for you  
The Gold will I tear from the reef
And forge the avenging Ring!
Let the Waves be my witness:
FOREVER HAVE I CURSED LOVE! 
He rips the gold from the rocks and forges the Ring to rule the World with 
cunning and brute force — and of course without Love. 
My Ring and Wagner’s were round, but there the resemblance ceases! 
 scoffed 
Tolkien rather maliciously after his book had been published in the mid-fifties.
Which is so transparent a denial that it seems almost laughable. Shaw’s 
aforementioned essay The Perfect Wagnerite, nearly of book-length, much 
acclaimed and widely read, must have been known in detail to Tolkien as well. 
Because his Ring and Wagner’s are identical in theme and essence, twins 
in fact if only in a different quality of clothing. Meaning that the former, 
compared to Wagner’s peerless magnum opus, is over-large and very entertaining, 
but not really a masterpiece of literature in the classical sense. 
Interesting might be that Tolkien uses words like Mordor or Sauron, 
clearly derived from the German Mord, or murder, and Sau, or sow. 
Though his claim that his own name derived from the German tollkuehn, 
meaning extremely foolhardy, seems unlikely since it doesn’t exist as a family 
name. 
As to the deeper meaning in both cases, it is important to know that the 
one Ring of Power has no magical potentials as we understand them. It 
cannot destroy enemy armies simply by an order of its bearer. It cannot make you 
fly. It cannot stop the flow of time. It can’t even prevent you from getting wet 
if it rains. It can make you invisible, true, but that is just an illusion. And 
you’d still get wet in any case. So what is it really?
 
It really is only GOLD! 
And isn’t that enough to rule the world?!
 
For many of those who had witnessed the last decades of the great European 
Empires, a reign of peace and general improvement that ended abruptly and 
horribly with World War One, the era afterwards must have seemed like the 
proverbial devaluation of all values. Because the bankers and Philistines, 
already so powerful in Wagner’s times, had by now metastasized out of all 
proportion. Germany, down on its knees, was hardest hit. During the ill-fated 
and debt-ridden Weimar Republic the country’s capital, Berlin, boasted 115 
banking institutions of which 112 were Jewish-owned. The same ratio was true for 
innumerable cabarets and brothels where girls and boys as young as ten years old 
sold their famished bodies to the new caste of money acrobats. As to the banks, 
they used the country’s catastrophic finances to their advantage and tricked and 
forced the starving population out of their assets, be it shares, shops, houses, 
farmland, factories or newspapers, until half of Germany was in the hands of a 
very few. The same happened, though much less drastically, in much of the 
Western World and resulted finally in the cataclysmic Black Friday. An 
exercise, as the Orc-faced 
Robert Fuld of formerly Lehman Bros. has informed us so brazenly, where
we ruin a national economy and pick up the bits and pieces for a song. 
 
Now it must be remembered that in those years public opinion was on the whole 
far less brainwashed than today. No Holocaust had yet been invented to slap down 
undesirable critics, no worldwide Media Mafia could tell you convincingly that a 
crock of shit is a pot of gold. Thus in many of the national and international 
gazettes, accounts of thefts, crimes and injustices abounded, backed up with 
caricatures of the cruel and greedy Jew. 
 
Accounts that surely have been observed and considered by Tolkien as well. 
Therefore it seems highly plausible that the Ring he began to forge in his mind 
during the early Thirties wasn’t so very different from the one Wagner had 
invented a hundred years earlier. Particularly if we remember a rather 
interesting detail, namely that indeed one Aragorn strode out of the wild and 
re-forged the sword that was broken. A man not of royal descent, it is true, but 
some kind of Mahdi or Sent-One, as Carl Gustav Jung has called 
him. Very powerful, a great orator, fearless too, and immediately setting to 
work and succeeding, almost overnight, to break the Ring’s terrible 
stranglehold. A feat he brought about by throwing worthless paper money out of 
the window and replacing it with barter based on real goods and honest work.
 
Well, we know what became of him and his folks, and how dearly they paid 
for an attempt that endangered the supremacy of Sauron’s banking 
institutions worldwide. The latter regrouped, giving his Ring full play, 
and Germany’s ancient cities and their innocent inhabitants, millions of them, 
perished in a Firestorm of unimaginable magnitude and barbarity. A sad moment in 
our great Christian European history, you will agree, and its final curtain 
fittingly drawn by one of its greatest conductors, Herbert von Karajan, 
who performed on the eve of Berlin’s destruction the Ring’s last episode,
Twilight of the Gods. 

As for the Sent-One, there comes a day when he will be assessed more 
objectively and not just demonised out of all proportion. When some of the most 
hideous accusations levelled against him might crumble like a house of cards in 
a cloud of dust about as big as the one at 9/11 and its official explanations. 
Which could result in two schools of thought, namely one where he remains indeed 
a villain, and another that pronounces him the most tragic character that ever 
walked the earth.
 
Him and his people. 
As for myself, I still have to make up my mind.
 
As for Tolkien, nearly twenty years went by between the Ring’s first 
written page and its publication. A time span that radically changed the face of 
the world, including the book market. Which ended up, to a large part and small 
wonder, in Sauron’s hands as well. Thus it doesn’t come as a surprise if
Sauron’s chronicler got somewhat mum and choose to refute any 
familiarity, let alone indebtedness, with and to his German forbear. And so 
removed any ideological obstacles and cleared the way for a tremendous literary 
success. 
A success most certainly deserved, with the one little setback that we will 
never know what kind of Secret Fire the old wizard Gandalf the Grey 
has been serving, and which he so mightily evoked when he 
smote the Bridge of Khazad-Dùm from under the Balrog’s 
fiery feet. The latter an intriguing name, particularly if you keep in mind that
Baal is the Canaanite god of fertility who demanded human sacrifices, and
Rog the Hindi word for malady. 
 
As for the rest of the world, the question is of course of how far the Lords 
of the Ring have succeeded to enslave us. Logically speaking, and seeing 
their immeasurable wealth and nearly unlimited influence, they should have long 
since consolidated the realm. Which seems indeed the case in most Western 
countries where presidents, prime ministers and chancellors are their obedient 
marionettes. Ring Wraiths, Tolkien has called them fittingly. Men and 
women like you and me, but empty-eyed. Outer shells of their former selves who 
command us to abandon our morals and artistic heritance, fight proxy wars for 
their masters, pay any amount of money into their purse, and generally order us 
to be at their service whenever it pleases them.
 
Yet something went badly wrong.
 
To begin with, the Shadows have been torn from the Land of Mordor, 
a mysterious region shrouded in deep secrecy for hundreds of years, but now 
glaringly illuminated. So much so that its schemes and crimes are every day more 
clearly observed and understood, be it the corruption of politicians, the doling 
out of jobs to foreign countries, the true intent behind globalism, the 
giant thefts, the resulting economical upheavals, the unspeakable atrocities in 
the occupied territories, the bungled assassinations, the real culprits behind 
9/11, to name but a few. 
Next come the Ring Wraiths, perhaps Tolkien’s finest invention. 
Enablers, Paul Gottfried has called them, and deems them worse than their 
criminal masters. Men and women who once possessed Christian souls and knew 
about the Power of Love, but sold both for thirty pieces of gold to forge their 
own insignificant rings. Trinkets that serve for a few brief years to ride the 
crest of power until a new contender wins the upper hand and sends them packing. 
Which is usually sweetened with honours and compliments to ease the approaching 
twilight years, a time when the ghosts and corpses of the past begin to whisper 
in the dark and the hour of reckoning draws close, slowly but inevitably.
 
Today this kind of sugar-coating can have a sour aftertaste, due to an 
unforeseen invention called the Internet which markedly diminished the control 
of the Media Mafia and its sniffing, lying, cajoling, mudslinging lackeys. That 
is why the Bushes and Blairs of this world have become lepers instead of 
paragons, with motions underway to hold them responsible for their crimes, 
including the death of countless women and children and that of many fine 
soldiers whose intentionally poor equipment has prolonged the conflict to this 
day. 
Finally the Dark Lords themselves. 
Those who have already entered the twilight years, like the one on top of this 
little essay, watch with silent horror how the mountains of gold are seeping 
like water through their fingers, leaving them empty-handed and with nothing to 
bargain on Judgement Day. As for the others, still springy and enterprising, it 
is said they are preparing for the ultimate Armageddon with their nukes, 
viruses, bacteria, cheque books, connections and what not. And perhaps they do, 
because they see that the world has tired of them, of their lies and extortions. 
But if they do, they’ll have to fight themselves for a change and not let others 
do the dirty work. Which will result, as a kind of divine retaliation and since 
they are so few, in the final destruction of the Ring and the utter 
defeat of its forgers.  
 
Because once, long ago, when tempted by a hoard of gold deep in the River Rhine, 
they made the wrong choice and… 
…forever cursed the Power of Love.
 

 
 

 
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